So the election happened.
This morning I find that I need to concentrate on all the positive things that happened in my creative world while I was home. (On Monday I met the boat in Alameda, California, for our annual shipyard period; currently she is in dry dock).
As I mentioned in a previous post, the gansey yarn spun from the 2016 Coopworth fleeces from Buckwheat Blossom Farm in Wiscasset, Maine was there to great me when I arrived home, and the yarn is lovely.
Many people on the 2016 Coopworth Gansey yarn wait list were entranced by the yarn in its two undyed colors, but I did get to do some very satisfying dyeing:
I am still working through the wait list, but I ran out of time at home. If you are still on the wait list and you haven't heard from me to talk about your yarn needs, fear not, I still have 2016 Coopworth Gansey yarn, I am just out of time at home. I will be back in my yarn room in early January, and will be in touch to discuss individual orders.
One of the highlights of my time home was getting to vend at the Highlands on the Fly knitting retreat at the New England Outdoor Center near Millinocket, Maine. I had a lovely time catching up with knitters I met there in years past (I missed last year because of my boat schedule) and meeting new knitters.
This year the great Mary Jane Mucklestone spoke about her travels and interest in the Shetland Islands, Ellen Mason of Doc Mason Yarn gave a class in Mason Jar dyeing, and I finally got to meet Michelle Bye of ByeBrook Farm (we've been Instagram acquaintances for a while - she has lovely sheep). Other venders included Jani Estelle of Starcroft Fiber Mill, Casey ff Port Fiber, and Jodi Clayton of One Lupin Fiber Arts. Mary Jane brought her knit swatches from her recent books: 150 Scandinavian Motifs and 200 Fair Isle Motifs (link takes you to a page about Mary Jane's books on her website, scroll down a bit for the titles). I have spent many an hour pouring over the photos in those books, so it was actually a bit surreal to see them in person. The photos do manage to capture the spirit of the swatches, but seeing the swatches in person I found that some motifs and color combinations possessed an extra dimension of energy that just didn't quite come across in the photos, while other samples that were stunning in the book, though still lovely in person, didn't quite draw my eye the same way they had in two dimensions. It was an interesting reminder that knitting is not a static medium, and that different light, different pairings of swatches, and just getting a change to pick up a piece, can completely change how one feels about the same piece of knitting. (I was too sidetracked by getting to actually look at them to remember to photograph them for a later blog post - for which I appologize).
(I also felt immense admiration for the photographer - yarn is maddeningly difficult to photograph accurately, or even consistently).
Time was my biggest challenge when I was home. I lost two of my six weeks of time home to classes necessary to maintain my boat life, and while both were worthwhile, and the fire fighting class was downright fun at times, I resented the intrusion of my boat life into my yarn life.
But I have now officially fought fire (under controlled conditions) wearing my At Sea Gansey (pattern by Beth Brown-Reinsel). The increased range of motion and ease of wear that make ganseys so lovey to wear when working on a tall ship are equally lovely while moving a fire hose.